EBA


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Standing Buddha

Brass inlaid with silver and copper

佛立像

印度

佛肉髻高隆,淺刻螺髮。寬額,五官清秀,嘴角含笑。右手施無畏印,指間現縵網相,左手下垂握衣角,立於蓮台。袈裟貼體,曲線畢露,突顯碩長身形和勁健體態,流露笈多王朝(約320~550)的遺風,強調雄健的肌理及比例合度的身體結構。領口和袖口邊緣呈優美的水波形翻褶,上身衣紋隱見流暢的「U」形紋,腰布下襬的漩渦形襞褶,以及淺刻火焰紋的鏤空背光等,則映現喀什米爾地區的造像特徵。
 該像在美術上與技法上皆有傑出表現,被視為喀什米爾金銅佛造像遺品中最大及最重要的作品之一,而備受矚目。蓮台下之方座立面有藏文刻銘,故有學者推測此像或在喀什米爾鑄造後被帶到西藏,或於西藏製造。

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture St-Z, page 1139.

Cite this article:

Hsingyun, et al. "Standing Buddha." Encyclopedia of Buddhist Arts: Sculpture St-Z, vol. 13, 2016, pp. 1139.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Standing Buddha" In Encyclopedia of Buddhist Arts: Sculpture St-Z, 13:1139.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Standing Buddha. In Encyclopedia of Buddhist Arts: Sculpture St-Z (Vol. 13, pp. 1139).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture St-Z},
pages = 1139,
title = {{Standing Buddha}},
volume = 13,
year = {2016}}


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