Standing Buddha
Gilt bronze
佛立像
韓國
該像鎏金部分殘褪，僅前面成型，背面為凹槽狀空洞，臉上的眉、嘴角以及衣褶均作陰刻線，是統一新羅（668～935）後期常見的製作方法。
立佛臉形方而扁，僧祇支上陰刻一花作裝飾，袈裟在腰部作規則的三摺處理，衣褶呈平行規律的弧形，製作及表現的手法雖趨於簡化，然而，又刻意將邊緣外翻垂落腰間，下垂的兩袖成尖狀，與身體分離。兩足近乎立體的造型，說明此時期十分注意製造立體的視覺效果。左手施無畏印，右手作與願印，立於雙層蓮台上，兩層仰覆蓮間的束腰頗高，蓮台下又加上一層六邊形台座，台座的比例較大，裝飾手法甚為繁複。
For more details, go to the Encyclopedia of Buddhist Arts: Sculpture St-Z, page 1144.
Cite this article:
Hsingyun, et al. "Standing Buddha." Encyclopedia of Buddhist Arts: Sculpture St-Z, vol. 13, 2016, pp. 1144.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Standing Buddha" In Encyclopedia of Buddhist Arts: Sculpture St-Z, 13:1144.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Standing Buddha. In Encyclopedia of Buddhist Arts: Sculpture St-Z (Vol. 13, pp. 1144).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture St-Z},
pages = 1144,
title = {{Standing Buddha}},
volume = 13,
year = {2016}}
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture St-Z},
pages = 1144,
title = {{Standing Buddha}},
volume = 13,
year = {2016}}