Standing Buddha
Bronze
佛立像
印尼
印尼中爪哇時期（約7～13世紀）金銅作品。蓮台與造像為分開鑄造後接合，頭光部分以圓管圍成一空心圓，也是分鑄後接合，是該時期常見的鑄造風格。
佛五官集中，雙目垂視，莊嚴中帶著一份靜謐。呈立姿，兩手均以拇指與食指捻合，作論辯印。身著袒右僧衣，衣薄貼體，左手下側似隨風揚起的衣緣與足部透出的下層裙緣，為站立的姿態添加動感。身軀圓渾結實，肩、胸、腹與四肢的刻劃十分流暢，不論是對身體結構的掌握、肌理的塑刻或是衣服的樣式與質感，均充分展現印度笈多王朝（約320～550）造像風格的影響。然而佛頭方中帶圓，髮際線在額上略作轉折，頭頂肉髻作不規則圓尖形具動態感，都是印尼中爪哇當地的特色。
For more details, go to the Encyclopedia of Buddhist Arts: Sculpture St-Z, page 1140.
Cite this article:
Hsingyun, et al. "Standing Buddha." Encyclopedia of Buddhist Arts: Sculpture St-Z, vol. 13, 2016, pp. 1140.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Standing Buddha" In Encyclopedia of Buddhist Arts: Sculpture St-Z, 13:1140.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Standing Buddha. In Encyclopedia of Buddhist Arts: Sculpture St-Z (Vol. 13, pp. 1140).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture St-Z},
pages = 1140,
title = {{Standing Buddha}},
volume = 13,
year = {2016}}
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture St-Z},
pages = 1140,
title = {{Standing Buddha}},
volume = 13,
year = {2016}}