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Diamond Sutra Commentary (detail)

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Diamond Sutra Commentary (detail)

金剛經開題 空海

日本

空海大師四十歲時所書。原作今分成數截,分別寄存日本奈良國立博物館(三十八行)、京都國立博物館(六十三行)等處。原為一卷,百數十行,是空海解說義淨譯本《能斷金剛般若經》之經題,從密教立場所作的論釋。「開題」,是就經典之題目加以逐字解說,以掌握經典之要旨。一九五五年指定為日本國寶。
 此卷多見改字添補處,或即空海撰述之稿本。行筆光潔勁利,草法純熟,結字妥貼,可見受到東晉(317~420)王羲之及唐代(618~907)孫過庭草書書風的影響,為空海成熟書風的代表作之一。
 空海為日本平安時代(794~1185)初期僧人、日本真言宗開山祖師,諡號弘法大師。書風豐潤渾厚,闊達自在,富於變化,與嵯峨天皇、橘逸勢並稱為「平安三筆」。
 參考釋文:三依大喜三昧之力能離嫉/妬嫉妬之心從彼我交生若/忘彼我即見一如一如則得樂等/得樂等則離嫉妬嫉妬即隨喜一切/眾生善隨喜則不傍一切/法不傍即信受信受即奉/行故次經文云頗有眾生

For more details, go to the Encyclopedia of Buddhist Arts: Calligraphy, page 60.

Cite this article:

Hsingyun, et al. "Diamond Sutra Commentary." Encyclopedia of Buddhist Arts: Calligraphy , vol. 17, 2016, pp. 60.
Hsingyun, Youheng, Youlu, Stefanie Pokorski, Mankuang, and Gary Edson. 2016. "Diamond Sutra Commentary" In Encyclopedia of Buddhist Arts: Calligraphy , 17:60.
Hsingyun, Youheng, Youlu, Pokorski, S., Mankuang, & Edson, G.. (2016). Diamond Sutra Commentary. In Encyclopedia of Buddhist Arts: Calligraphy (Vol. 17, pp. 60).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Pokorski, Stefanie and Mankuang and Edson, Gary,
booktitle = {Encyclopedia of Buddhist Arts: Calligraphy },
pages = 60,
title = {{Diamond Sutra Commentary}},
volume = 17,
year = {2016}}


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