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Amitabha Buddha Pentad

Ink and color on silk

阿彌陀佛三尊及阿難迦葉像

韓國

據圖下方墨書題記「香徒等/金思達松連/草急古火也/金二松百□/閑守助達/金呂所閑/金二金甫/仁界水口/尹自戒恒/万真戒□/正延大□/于斤伊孝□/永宣三日/幹善禪師/天曆三年庚午五月」,可知繪製於元天曆三年(1330),即高麗忠肅王十七年。
 畫面中心為阿彌陀佛,結跏趺坐於台座上。圖右下角為觀音菩薩,與大勢至菩薩對座。佛左邊為阿難,右為迦葉。此圖布局似描繪佛說法的場景,為高麗佛畫中少見之圖像。
 阿彌陀佛面相豐圓,五官端嚴,予人穩重之感,雙手舉至胸前作說法印。觀音菩薩頂戴化佛寶冠,臉部豐圓,眼大鼻高,身軀豐厚,手持柳枝,衣飾華麗。大勢至菩薩造型和姿態與觀音相似,右手持經函。此圖筆觸輕妙,多用柔和的中間色,色彩優美,類似宮廷樣式之佛畫。

For more details, go to the Encyclopedia of Buddhist Arts: Painting A-H, page 34.

Cite this article:

Hsingyun, et al. "Amitabha Buddha Pentad." Encyclopedia of Buddhist Arts: Painting A-H, vol. 14, 2016, pp. 34.
Hsingyun, Youheng, Youlu, Graham Wilson, Manho, Mankuang, and Susan Huntington. 2016. "Amitabha Buddha Pentad" In Encyclopedia of Buddhist Arts: Painting A-H, 14:34.
Hsingyun, Youheng, Youlu, Wilson, G., Manho, Mankuang, & Huntington, S.. (2016). Amitabha Buddha Pentad. In Encyclopedia of Buddhist Arts: Painting A-H (Vol. 14, pp. 34).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Wilson, Graham and Manho and Mankuang and Huntington, Susan,
booktitle = {Encyclopedia of Buddhist Arts: Painting A-H},
pages = 34,
title = {{Amitabha Buddha Pentad}},
volume = 14,
year = {2016}}


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