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Bihar: Tara

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多羅菩薩像

印度比哈爾邦出土

印度比哈爾邦(Bihar)出土。作品可能源自庫爾基哈爾(Kurkihar)地區,從造像銘文推測可能造於九世紀末。
 主尊多羅帶有頭光,頭光內層邊緣刻佛法要義,外層飾聯珠紋和火焰紋。束高髻,數綹卷髮披肩,戴寶冠,上刻華麗紋飾。臉上神情肅穆,垂目下視,流露慈眼視眾生的悲憫。佩戴大耳璫、項鍊、珠串式聖線、腰帶、臂釧等精美飾物,特別是長筒狀的手鐲最為別致。此類繁複首飾應是效仿印度教造像,同時反映出八世紀之後發展的巴洛克藝術風格特徵。菩薩體型豐腴,下身腰布貼體,刻規整的弧線衣紋,疏朗流暢。左手持長莖蓮花,右手下垂作與願印,掌心刻蓮花,顯示慈悲心懷。腰臀微向右傾,立於仰覆蓮台上。
 菩薩右下方禮敬者單腿下跪、雙手合掌,推測或為信徒,或為善財童子。左下方人物束大髮髻,上身左傾,股間豎立一把長斧,屈左腳踏斧刀,左手腕置斧柄上,推測或為護法神像,或為馬頭明王。

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture A-F, page 155.

Cite this article:

Hsingyun, et al. "Bihar: Tara." Encyclopedia of Buddhist Arts: Sculpture A-F, vol. 10, 2016, pp. 155.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Bihar: Tara" In Encyclopedia of Buddhist Arts: Sculpture A-F, 10:155.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Bihar: Tara. In Encyclopedia of Buddhist Arts: Sculpture A-F (Vol. 10, pp. 155).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture A-F},
pages = 155,
title = {{Bihar: Tara}},
volume = 10,
year = {2016}}


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