EBA


Images

Diamond Sutra (right end section)

Ink on paper

Images

Diamond Sutra (left end section)

Diamond Sutra

CHINA; Qing dynasty

It can be gathered from the colophon that the copyist, Chen Bangguang, was a Buddhist disciple who had undertaken the Bodhisattva vows. Chen made a resolution to copy the Diamond Sutra a hundred times, and this work was his 20th copy, completed in 1771. The Diamond Sutra emphasizes non-abiding and the illusory concept of self in its teachings. Historically, it has been a preferred sutra text for transcription.
Beginning with running and regular scripts, strokes tend to hasten towards full cursive at times, which results in a slightly unkempt look compared to the neat regular scripts that typify most sutra copies. Nevertheless, the brushwork is precise and energetically delivered. This vibrant and spirited touch provides a rare break from the usually restrained style of sutra scrolls.

For more details, go to the Encyclopedia of Buddhist Arts: Calligraphy, page 59.

Cite this article:

Hsingyun, et al. "Diamond Sutra." Encyclopedia of Buddhist Arts: Calligraphy , vol. 17, 2016, pp. 59.
Hsingyun, Youheng, Youlu, Stefanie Pokorski, Mankuang, and Gary Edson. 2016. "Diamond Sutra" In Encyclopedia of Buddhist Arts: Calligraphy , 17:59.
Hsingyun, Youheng, Youlu, Pokorski, S., Mankuang, & Edson, G.. (2016). Diamond Sutra. In Encyclopedia of Buddhist Arts: Calligraphy (Vol. 17, pp. 59).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Pokorski, Stefanie and Mankuang and Edson, Gary,
booktitle = {Encyclopedia of Buddhist Arts: Calligraphy },
pages = 59,
title = {{Diamond Sutra}},
volume = 17,
year = {2016}}


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