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五百羅漢圖 吳彬

中國

款題「枝隱頭陀吳彬齋心拜寫」。吳彬生卒年不詳,活動於明萬曆十九年至天啟六年(1591~1626),字文仲,莆田(今福建莆田)人,流居金陵(今江蘇南京)。能書善畫,其山水、佛像、人物皆別於前人,造型奇特。
 圖中繪五百羅漢及觀音菩薩,身側伴隨侍者和供養人等。羅漢有棲岩渡海,有降龍伏虎,有乘雲駕鶴,有坐騎瑞獸,亦有接受猿猴獻果,諸夷頂禮。群像布置錯落,呈現《大阿羅漢難提蜜多羅所說法住記》所載:「現種種形,蔽隱聖儀,同常凡眾,密受供具。令諸施主,得勝果報……護持正法饒益有情。」
 此畫構圖豐富多變,人物造型高古怪異而不失法度,以均勻的鐵線描勾勒,線條疏密有致,用色豔而不俗。羅漢面容多半呈胡貌梵相,深目隆鼻。作者著意刻劃人物動態和內心世界,背景處理簡潔,幾乎捨掉眾多人物活動的自然環境,使形態各異的人物更加醒目。
 此圖風格與繪於明萬曆十九年現藏美國紐約大都會藝術博物館的十六羅漢圖一致,同為吳彬優秀成熟的作品。

For more details, go to the Encyclopedia of Buddhist Arts: Painting A-H, page 245.

Cite this article:

Hsingyun, et al. "Five Hundred Arhats." Encyclopedia of Buddhist Arts: Painting A-H, vol. 14, 2016, pp. 245.
Hsingyun, Youheng, Youlu, Graham Wilson, Manho, Mankuang, and Susan Huntington. 2016. "Five Hundred Arhats" In Encyclopedia of Buddhist Arts: Painting A-H, 14:245.
Hsingyun, Youheng, Youlu, Wilson, G., Manho, Mankuang, & Huntington, S.. (2016). Five Hundred Arhats. In Encyclopedia of Buddhist Arts: Painting A-H (Vol. 14, pp. 245).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Wilson, Graham and Manho and Mankuang and Huntington, Susan,
booktitle = {Encyclopedia of Buddhist Arts: Painting A-H},
pages = 245,
title = {{Five Hundred Arhats}},
volume = 14,
year = {2016}}


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