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Ichijoji Temple: Amitabha Buddha Pentad

Ink and color on silk

阿彌陀佛五尊像

日本

此圖繪阿彌陀佛、觀音和大勢至二菩薩及作比丘形的地藏、龍樹菩薩等五尊像,繪製於十三世紀。主尊阿彌陀佛手結上品上生印,結跏趺坐於蓮座上。觀音立於佛左前方,戴化佛寶冠,大勢至菩薩則立於右前方,戴水瓶寶冠;二菩薩皆手持長莖蓮花。佛左後方為手托寶珠的地藏菩薩,龍樹菩薩立於右後方,雙手合掌。四尊像作對稱姿態。此類構圖始於日本比叡山延曆寺橫川的常行堂,盛行於平安時代(794~1185)下半葉以後,但當時畫作卻很少見。現為日本重要文化財。
 佛低肉髻,中央有紅色髻珠,著袒右紅色袈裟,右敷偏衫,下襬呈大幅度的波狀曲線;觀音及大勢至雙頰圓鼓,粗眉,蓄髭,肌膚施加暈染等特色,被認為係受到中國五代(907~960)、宋代(960~1279)佛畫的影響。佛上方華蓋懸垂成串珠玉,靠背兩旁各承托一顆寶珠。畫作減少賦彩、裝飾紋樣及碎金,以墨線為主,此作風乃鎌倉時代(1185~1333)前期的特色。

For more details, go to the Encyclopedia of Buddhist Arts: Painting I-O, page 349.

Cite this article:

Hsingyun, et al. "Ichijoji Temple: Amitabha Buddha Pentad." Encyclopedia of Buddhist Arts: Painting I-O, vol. 15, 2016, pp. 349.
Hsingyun, Youheng, Youlu, Graham Wilson, Manho, Mankuang, and Susan Huntington. 2016. "Ichijoji Temple: Amitabha Buddha Pentad" In Encyclopedia of Buddhist Arts: Painting I-O, 15:349.
Hsingyun, Youheng, Youlu, Wilson, G., Manho, Mankuang, & Huntington, S.. (2016). Ichijoji Temple: Amitabha Buddha Pentad. In Encyclopedia of Buddhist Arts: Painting I-O (Vol. 15, pp. 349).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Wilson, Graham and Manho and Mankuang and Huntington, Susan,
booktitle = {Encyclopedia of Buddhist Arts: Painting I-O},
pages = 349,
title = {{Ichijoji Temple: Amitabha Buddha Pentad}},
volume = 15,
year = {2016}}


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