Detachment from Appearances
Red-character square seal
不住於相 李大木
台灣
「不住於相」出自《金剛經》：「菩薩應如是布施，不住於相。」說明菩薩布施應無所住，不可執著於相上的布施。
此印生動活潑，田字框之界格似乎是信手拈來，斑駁自然的線條與恰到好處的破邊，有漢封泥之古趣；所用體勢方圓自適，筆畫輕重有度，勁挺有力。刀勢內蘊，清雅恬靜，脈絡牽連，意趣高邈，全印呈和諧勻稱之貌。
李大木名獨，字大木，別署獨翁。山東煙台牟平人。擅長水墨繪畫與書法、篆刻，治印心折於吳昌碩、齊白石的創作風貌，尤其欽佩齊白石的豪邁氣勢，遂以為師範，並融會秦漢金石文字，終能自成一格。一九六一年與王壯為、王北岳、曾紹杰等人，籌組「海嶠印集」，對臺灣篆刻藝術的發展具有推動作用。
For more details, go to the Encyclopedia of Buddhist Arts: Calligraphy, page 294.
Cite this article:
Hsingyun, et al. "Detachment from Appearances." Encyclopedia of Buddhist Arts: Calligraphy , vol. 17, 2016, pp. 294.
Hsingyun, Youheng, Youlu, Stefanie Pokorski, Mankuang, and Gary Edson. 2016. "Detachment from Appearances" In Encyclopedia of Buddhist Arts: Calligraphy , 17:294.
Hsingyun, Youheng, Youlu, Pokorski, S., Mankuang, & Edson, G.. (2016). Detachment from Appearances. In Encyclopedia of Buddhist Arts: Calligraphy (Vol. 17, pp. 294).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Pokorski, Stefanie and Mankuang and Edson, Gary,
booktitle = {Encyclopedia of Buddhist Arts: Calligraphy },
pages = 294,
title = {{Detachment from Appearances}},
volume = 17,
year = {2016}}
author = Hsingyun and Youheng and Youlu and Pokorski, Stefanie and Mankuang and Edson, Gary,
booktitle = {Encyclopedia of Buddhist Arts: Calligraphy },
pages = 294,
title = {{Detachment from Appearances}},
volume = 17,
year = {2016}}