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Self-Abandonment to Dunhuang

Red-character rectangular seal

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Self-Abandonment to Dunhuang (side colophon)

老棄敦煌 陳巨來

中國

「老棄敦煌」是張大千語,為了探索古人的繪畫奧秘,其於一九一四年赴敦煌莫高窟臨摹壁畫,表示為再登藝術高峰的誓言和獻身藝術的精神。
 此印規矩工穩,用刀勁挺,印文恬靜秀美;邊框線條極細,突顯印文,整體以纖麗取勝。其師趙叔孺譽其:「刻印醇厚,元朱文為近代第一。」
 陳巨來原名斝,字巨來,號塙齋、安持,別署安持老人。浙江平湖人。精篆刻,為趙叔孺弟子,初究程邃、汪關、巴慰祖,後致力於古璽、秦漢印,作品清秀明快,印文娟美,用刀勁挺而極細膩,尤以元朱文印造詣最著,藝名蜚聲海內外。名書畫家張大千、溥心畬、吳湖帆等人的用印,多出其手。
 邊款釋文:大千吾師令巨來刻

For more details, go to the Encyclopedia of Buddhist Arts: Calligraphy, page 327.

Cite this article:

Hsingyun, et al. "Self-Abandonment to Dunhuang." Encyclopedia of Buddhist Arts: Calligraphy , vol. 17, 2016, pp. 327.
Hsingyun, Youheng, Youlu, Stefanie Pokorski, Mankuang, and Gary Edson. 2016. "Self-Abandonment to Dunhuang" In Encyclopedia of Buddhist Arts: Calligraphy , 17:327.
Hsingyun, Youheng, Youlu, Pokorski, S., Mankuang, & Edson, G.. (2016). Self-Abandonment to Dunhuang. In Encyclopedia of Buddhist Arts: Calligraphy (Vol. 17, pp. 327).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Pokorski, Stefanie and Mankuang and Edson, Gary,
booktitle = {Encyclopedia of Buddhist Arts: Calligraphy },
pages = 327,
title = {{Self-Abandonment to Dunhuang}},
volume = 17,
year = {2016}}


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