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Diamond Sutra (right end section)

Ink on paper

金剛經 董其昌

台灣

董其昌七十歲以後所書,有烏絲界格,計三十七開。此冊頁的第七開中段有「乙丑三月初一日書」之題,可見此冊之書寫,是明天啟五年(1625)三月前後,斷斷續續寫成,應非一時揮運而成之作。
 此冊之書法,以楷書為主,用筆使轉較具速度處,則映帶相承。整體有外拓之結字與用筆,仍具體展現董其昌受顏真卿《多寶塔碑》的影響。然而,卷中多出斜勢緊結的單字,遂使整體在平正中,有正奇迭出之妙,令人品味再三,是董氏展現書家能事的精品。
 董其昌字玄宰,號思白,又號香光居士。明代(1368~1644)華亭(今上海松江)人,官至禮部尚書。擅書畫,精鑒賞。翰墨習古法而廣集之,倡導書家臨帖如禪,對明末清(1644~1911)初的書風影響甚鉅。
 參考釋文:金剛般若波羅蜜經/姚秦三藏法師鳩摩羅什譯/明禮部尚書董其昌書/如是我聞一時佛在舍衛國祇/樹給孤獨園與大比丘眾千二/百五十人俱爾時世尊食時著

For more details, go to the Encyclopedia of Buddhist Arts: Calligraphy, page 54.

Cite this article:

Hsingyun, et al. "Diamond Sutra." Encyclopedia of Buddhist Arts: Calligraphy , vol. 17, 2016, pp. 54.
Hsingyun, Youheng, Youlu, Stefanie Pokorski, Mankuang, and Gary Edson. 2016. "Diamond Sutra" In Encyclopedia of Buddhist Arts: Calligraphy , 17:54.
Hsingyun, Youheng, Youlu, Pokorski, S., Mankuang, & Edson, G.. (2016). Diamond Sutra. In Encyclopedia of Buddhist Arts: Calligraphy (Vol. 17, pp. 54).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Pokorski, Stefanie and Mankuang and Edson, Gary,
booktitle = {Encyclopedia of Buddhist Arts: Calligraphy },
pages = 54,
title = {{Diamond Sutra}},
volume = 17,
year = {2016}}


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