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Daianji Temple: Amoghapasa Avalokitesvara

Cypress wood

不空●(上四+下絹)索觀音菩薩像

日本

約雕造於八世紀末,二目八臂,額上無第三隻眼,亦無披鹿皮之痕跡,異於一般日本不空●(Q)索觀音造像。一九○二年指定為日本重要文化財。
 觀音從頭部至台座軸心由檜木整材雕出,頭梳高髻,面相橢圓,五官大,彎眉如柳,嘴角微抿。寬胸,體軀深厚,表現其量感,略顯平板,缺乏起伏之韻味。
 整體比例手臂較小,八臂中除右側最下方的胳臂製作年代較早外,其他皆為後來補上。部分塗以木屑漆,以表現身軀、衣紋的柔軟質感,與乾漆造像有共通之處。
 目前造像外表大部分幾乎已露出木皮,但下裳、帔帛仍殘存花草與團花紋等彩色紋樣痕跡,如碎金的小花、銀泥描繪的莖葉等,可知曾施以華麗的色彩。

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture A-F, page 276.

Cite this article:

Hsingyun, et al. "Daianji Temple: Amoghapasa Avalokitesvara." Encyclopedia of Buddhist Arts: Sculpture A-F, vol. 10, 2016, pp. 276.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Daianji Temple: Amoghapasa Avalokitesvara" In Encyclopedia of Buddhist Arts: Sculpture A-F, 10:276.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Daianji Temple: Amoghapasa Avalokitesvara. In Encyclopedia of Buddhist Arts: Sculpture A-F (Vol. 10, pp. 276).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture A-F},
pages = 276,
title = {{Daianji Temple: Amoghapasa Avalokitesvara}},
volume = 10,
year = {2016}}


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