Encyclopedia of Buddhist Arts

Songgwangsa Temple National Master Hall: Sixteen National Masters - Bojo

Ink and color on silk

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jingak

Songgwangsa Temple National Master Hall: Sixteen National Masters - Cheonjin

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jinmyeong

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jajin

Songgwangsa Temple National Master Hall: Sixteen National Masters - Wongam

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jajeong

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jagak

Songgwangsa Temple National Master Hall: Sixteen National Masters - Damdang

Songgwangsa Temple National Master Hall: Sixteen National Masters - Hyegam

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jawon

Songgwangsa Temple National Master Hall: Sixteen National Masters - Hyegak

Songgwangsa Temple National Master Hall: Sixteen National Masters - Gakeom

Songgwangsa Temple National Master Hall: Sixteen National Masters - Jeonghye

Songgwangsa Temple National Master Hall: Sixteen National Masters - Hongjin

Songgwangsa Temple National Master Hall: Sixteen National Masters - Gobong

松廣寺十六國師幀

韓國

位於韓國全羅南道順天市松光面曹溪山北麓松廣寺國師殿。韓國稱高僧畫像為「真影」或「影幀」，佛寺中一般建國師殿、真影閣、祖師堂等殿閣供奉高僧祖師。
　此十六幅畫作陳列於東、南、北壁，正壁（東壁）以普照國師為中心，兩側依序為真覺、清真、圓鑑、慈靜等，皆為松廣寺歷代國師畫幀。十六國師皆為坐椅全身像，披袈裟，除了高峰和尚蓄髮外，皆為剃髮比丘形象。椅子並非朝鮮的生活用品，此作應受中國宋代（960～1279）禪宗高僧肖像畫影響，這種坐椅像人物圖在朝鮮王族文人畫像上亦可見。
　畫作線條以鐵線描繪出，平塗以綠、紫、黃、褐綠等色，濃淡處理適度，袈裟飾以卷草紋、雲紋、寶相花紋、牡丹卷草紋。國師面貌、手勢、持物、衣著色彩各不相同，性格表現躍然而出。