Five Hundred Arhats
Ink and color on silk
五百羅漢圖
韓國
此圖依據中國北宋（960～1127）李公麟五百羅漢圖而繪，製於十六世紀。五百羅漢的信仰起源於唐代（618～907），發展至宋代（960～1279）時，雕像、造像已廣泛流行至各地。
畫面中央為釋迦牟尼佛及二脇侍，另繪二天王像，色彩明快，線條流暢，乃承襲傳統高麗佛畫的華麗風格。背景描繪深山、岩壁、坡土、樹林、雲層等山嶽風景，五百羅漢似從中競相踊出，錯落有致，占滿整個畫面。這件以五百羅漢為題材的作品，構圖特殊，運用水墨畫技法，筆觸柔和，偏於暗色調，人物表情生動，表現朝鮮（1392～1910）初期佛畫嶄新的一面。
For more details, go to the Encyclopedia of Buddhist Arts: Painting A-H, page 250.
Cite this article:
Hsingyun, et al. "Five Hundred Arhats." Encyclopedia of Buddhist Arts: Painting A-H, vol. 14, 2016, pp. 250.
Hsingyun, Youheng, Youlu, Graham Wilson, Manho, Mankuang, and Susan Huntington. 2016. "Five Hundred Arhats" In Encyclopedia of Buddhist Arts: Painting A-H, 14:250.
Hsingyun, Youheng, Youlu, Wilson, G., Manho, Mankuang, & Huntington, S.. (2016). Five Hundred Arhats. In Encyclopedia of Buddhist Arts: Painting A-H (Vol. 14, pp. 250).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Wilson, Graham and Manho and Mankuang and Huntington, Susan,
booktitle = {Encyclopedia of Buddhist Arts: Painting A-H},
pages = 250,
title = {{Five Hundred Arhats}},
volume = 14,
year = {2016}}
author = Hsingyun and Youheng and Youlu and Wilson, Graham and Manho and Mankuang and Huntington, Susan,
booktitle = {Encyclopedia of Buddhist Arts: Painting A-H},
pages = 250,
title = {{Five Hundred Arhats}},
volume = 14,
year = {2016}}