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Toshodaiji Temple Founder’s Hall: Master Jianzhen

Dry lacquer

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Toshodaiji Temple Founder’s Hall: Master Jianzhen (detail)

唐招提寺鑑真和上像

日本

位於御影堂佛龕內,是日本現存夾紵肖像年代最早的名品,被評價為夾紵肖像中最高傑作之一,僅每年六月五日至七日開放供眾參拜。據《唐大和上東征傳》記載,奈良天平寶字七年(763),弟子忍基夢見講堂棟梁摧折,預感師將入寂,故仿和尚的真容造像。一九五一年指定為日本國寶。
 此像為等身坐像,採夾紵脫胎技法,內部輕薄,無支撐木架。著朱彩僧衣,外披赭色袈裟,雙手疊放於腹前,結禪定印,結跏趺坐於台座上。面相方圓,雙目閉合,鼻挺,薄唇,表情寧靜祥和;眉骨隆起,顴骨高寬,骨相硬朗,顯現其堅韌的意志。
 肌膚作肉色,眼、睫、衣紋以墨線勾勒,唇部繪以朱色,眉、口周圍則以墨、白色描繪,並施綠青、朱等顏色。技法洗練,線條流暢勁利,寫實逼真,推測出自官營工房的藝匠之手。

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture St-Z, page 1246.

Cite this article:

Hsingyun, et al. "Toshodaiji Temple Founder’s Hall: Master Jianzhen." Encyclopedia of Buddhist Arts: Sculpture St-Z, vol. 13, 2016, pp. 1246.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Toshodaiji Temple Founder’s Hall: Master Jianzhen" In Encyclopedia of Buddhist Arts: Sculpture St-Z, 13:1246.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Toshodaiji Temple Founder’s Hall: Master Jianzhen. In Encyclopedia of Buddhist Arts: Sculpture St-Z (Vol. 13, pp. 1246).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture St-Z},
pages = 1246,
title = {{Toshodaiji Temple Founder’s Hall: Master Jianzhen}},
volume = 13,
year = {2016}}


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