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Buddha and Attendants

Gilt bronze

一佛二弟子像

中國

此像約鑄於四世紀,華蓋、台座已佚,僅存佛像主體及背光,與河北石家莊出土的金銅佛像十分相似,同期同類作品目前所知者約存有十餘尊。
 佛作高肉髻,髮紋簡略,收下顎,五官清晰,面貌已漢化。身著通肩袈裟,褶紋棱條凸起,雙手作禪定印,結跏趺坐於台座上。佛旁為二弟子,分別位於背光兩側,形體雖小,但容貌可辨。
 背光上部左右各有一身飛天,形象古拙,其頂端留有一小孔,可能作為懸掛配件用。
 整體藝術造型、製作手法,顯示出逐漸漢化的跡象,為佛像造像藝術中國化最初階段的作品。

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture A-F, page 190.

Cite this article:

Hsingyun, et al. "Buddha and Attendants." Encyclopedia of Buddhist Arts: Sculpture A-F, vol. 10, 2016, pp. 190.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Buddha and Attendants" In Encyclopedia of Buddhist Arts: Sculpture A-F, 10:190.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Buddha and Attendants. In Encyclopedia of Buddhist Arts: Sculpture A-F (Vol. 10, pp. 190).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture A-F},
pages = 190,
title = {{Buddha and Attendants}},
volume = 10,
year = {2016}}


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