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Potala Palace: Four-Armed Tara

Copper alloy

Potala Palace: Four-Armed Tara

CHINA, Tibet, Lhasa

This copper sculpture, made between the 17th and 18th centuries, is in Kashmiri style. The gilded face has painted features, above which a flowery crown studded with the same turquoises that adorn the rest of the jewelry. Below her nude upper body she wears a skirt enameled with a floral pattern. This is the four-armed wealth-giving form of Green Tara. The arms above her head overlap and carry an elephant goad. The principal right hand is opened in varada (wish-granting) mudra while the left hand clasps the stem of a blue lotus on which balances a scripture. Another lotus bearing only buds rises to shoulder height on the right side. Tara sits in half lotus position on a gilt-winged and necklaced goose that turns its head to look back at her.

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture N-Sr, page 822.

Cite this article:

Hsingyun, et al. "Potala Palace: Four-Armed Tara." Encyclopedia of Buddhist Arts: Sculpture N-Sr, vol. 12, 2016, pp. 822.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Potala Palace: Four-Armed Tara" In Encyclopedia of Buddhist Arts: Sculpture N-Sr, 12:822.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Potala Palace: Four-Armed Tara. In Encyclopedia of Buddhist Arts: Sculpture N-Sr (Vol. 12, pp. 822).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture N-Sr},
pages = 822,
title = {{Potala Palace: Four-Armed Tara}},
volume = 12,
year = {2016}}


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