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Buddha and Attendants

Limestone

Buddha and Attendants

CHINA; Northern Wei dynasty

The Buddha sits in full lotus position and likely forms the abhaya (fearlessness) and varada (wish-granting) mudras. The figure has an elongated face and a thick neck. A monastic robe covers both shoulders. The folds of the garment cascading down the front of the seat. The two attendant Bodhisattvas are smaller and each is paired with a Dharma protecting lion below their pedestal.
The yellow and green paint on the robes of the figures is still bright, but most of the mandorla has faded with only a trace of the nimbus visible. The front of the base has carvings of donors but they have also worn away. An inscription dates the sculpture to 513, and states that a hundred people participated in its creation.

For more details, go to the Encyclopedia of Buddhist Arts: Sculpture A-F, page 194.

Cite this article:

Hsingyun, et al. "Buddha and Attendants." Encyclopedia of Buddhist Arts: Sculpture A-F, vol. 10, 2016, pp. 194.
Hsingyun, Youheng, Yann Lovelock, Yuan Chou, Susan Huntington, Gary Edson, and Robert Neather. 2016. "Buddha and Attendants" In Encyclopedia of Buddhist Arts: Sculpture A-F, 10:194.
Hsingyun, Youheng, Lovelock, Y., Chou, Y., Huntington, S., Edson, G., & Neather, R.. (2016). Buddha and Attendants. In Encyclopedia of Buddhist Arts: Sculpture A-F (Vol. 10, pp. 194).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Lovelock, Yann and Chou, Yuan and Huntington, Susan and Edson, Gary and Neather, Robert,
booktitle = {Encyclopedia of Buddhist Arts: Sculpture A-F},
pages = 194,
title = {{Buddha and Attendants}},
volume = 10,
year = {2016}}


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