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Tiger-Taming Arhat

Ink and color on paper

Tiger-Taming Arhat

CHINA; Ming dynasty

This painting of an Arhat bears the signature and seal of Dai Jin, a native of Qiantang (present day Hangzhou, Zhejiang) and the founding father of the Zhejiang school of painting during the Ming dynasty. The Arhat holds a staff and sits under an old tree in front of a temple gate. Dignified and calm, he extends his left hand to pet a wide-eyed tiger. In the background, a hunched attendant, half-hidden behind a gate, watches fearfully. The detailed face of the Arhat is carefully painted with faint lines. The folds of the clothing are depicted with succinct, rhythmic brushstrokes. “Ax-cut” strokes are used to portray the rocks, while the leaves of the tree overhead are illustrated with spots of ink.

For more details, go to the Encyclopedia of Buddhist Arts: Painting P-Z, page 908.

Cite this article:

Hsingyun, et al. "Tiger-Taming Arhat." Encyclopedia of Buddhist Arts: Painting P-Z, vol. 16, 2016, pp. 908.
Hsingyun, Youheng, Youlu, Graham Wilson, Manho, Mankuang, and Susan Huntington. 2016. "Tiger-Taming Arhat" In Encyclopedia of Buddhist Arts: Painting P-Z, 16:908.
Hsingyun, Youheng, Youlu, Wilson, G., Manho, Mankuang, & Huntington, S.. (2016). Tiger-Taming Arhat. In Encyclopedia of Buddhist Arts: Painting P-Z (Vol. 16, pp. 908).
@misc{Hsingyun2016,
author = Hsingyun and Youheng and Youlu and Wilson, Graham and Manho and Mankuang and Huntington, Susan,
booktitle = {Encyclopedia of Buddhist Arts: Painting P-Z},
pages = 908,
title = {{Tiger-Taming Arhat}},
volume = 16,
year = {2016}}


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