Seated Buddha

CHINA; Ming dynasty

This seated Buddha shows characteristics often seen in Ming dynasty (1368–1644) sculptures, such as the neatly arranged hair, high usnisa, and the gem located at the top. The broad face and obvious smile are also Ming dynasty features, as are the wide shoulders, narrow waist, and the monastic robe that covers only one shoulder. The cloud-like decorations on the tip of the petals of the throne are a feature seen especially during the reign of Emperor Yongle (reigned 1402–1424).
The statue shows a combination of Chinese and Tibetan characteristics. The figure sits in full lotus position with the left hand resting at ease above the upturned heel and the right hand in the bhumisparsa (earth-touching) mudra. An inscription on the reverse side of the statue confirms it was created during the reign of Emperor Yongle. Such sculptures were created as gifts from the emperors to Buddhist leaders in Mongolia and Tibet. The artistic level of metalwork sculptures reached its peak during this emperor’s reign.