Enter Deep into the Infinite

CHINA

Extracted from the Avatamsaka Sutra, the phrase “Enter deep into the infinite” is further extended to encompass the idea of delving into the infinite Dharma realm. Utilizing the ancient Shang dynasty (1600–1046 BCE) concept of layout, the four oracle bone script characters of the seal appear in contrasting sets, diagonally across from one another. Two characters appear sparse and the other two are more complex, resulting in a vivid and lively visual arrangement. Incised character strokes are narrowed and thinner at the tips while holding more girth at their meeting points. The calligraphic use of the knife begets a quality that is solid, straight, and rich with a three-dimensional impression. Overall, the seal form is one of strength and power, exuding a refreshing and unique appeal.
Jian Qinzhai, originally named Jinglun and also known as Qinshi, was a native of Panyu, Guangdong. He was a skilled calligrapher, particularly in clerical script, as well as a seal engraver who studied the Zhejiang school style. Spending a considerable amount of time researching ancient Qin and Han seals, Jian often referenced their structures in the layout of his own works. His use of oracle bone script was prominent and refined, and his contributions to the field of seal engraving were significant.