
Stone
Tara, standing in the tribhanga posture, is lavishly adorned with jewelry as well a long sacred thread that hangs down past the waist. A jeweled belt secures the figure’s diaphanous skirt, which is hardly discernible save for a few lines that illustrate the hem. The style of the ornaments worn by this figure is usually found on 9th century sculptures from northern or eastern India.
There are four smaller panels located on each side of the figure, depicting the eight fears from which Tara offers protection to devotees. These eight fears are of lions, elephants, fire, snakes, thieves, water, bondage, and evil spirits. Each panel is similar in composition, featuring the Bodhisattva coming to the people’s aid with a lotus in one hand and her other hand probably in abhaya (fearlessness) mudra. The Five Dhyani Buddhas are located at the very top of the carving, seated in a row and flanked by heavenly couples riding on a cloud. The possible donor of this piece is depicted at the bottom left, kneeling and presenting offerings.
For more details, go to the Encyclopedia of Buddhist Arts: Sculpture N-Sr, page 876.