
Ink on paper
A calligraphic work of Master Hongyi, written for the accruement of merits to dedicate to his late mother, the manuscript begins with the invocation “Namo Ksitigarbha Bodhisattva” in broad strokes. This calling is followed by the verses of the Sutra of the Ten Wheels of Ksitigarbha in smaller characters. The sutra verse is a hymn that narrates the wondrous merits of Ksitigarbha Bodhisattva, and is introduced conspicuously by the large character title. The sutra verse may also be regarded as a commentary to the large characters, depending on what is considered the main text body.
Master Hongyi was reputed for his mastery in calligraphy. He developed an unadorned and simple style despite a wealth of experience from studying and emulating numerous past masters. The subdued and seemingly nondescript style shown here exhibits a form of innocence that is unclouded by the embellishments of trends. An interesting aspect of Master Hongyi’s calligraphy is apparent where strokes turn without formal closure, hinting of brushwork reminiscent of Northern stele inscriptions.
Originally named Li Shutong, Master Hongyi was an eminent monk and artist from the 20th century. He propagated the Dharma through his numerous works of Buddhist calligraphy.
For more details, go to the Encyclopedia of Buddhist Arts: Calligraphy, page 269.