Shinnyodo Temple: Lotus Sutra

JAPAN, Kyoto; Heian period

The Lotus Sutra emphasizes that all sentient beings possess the potential of becoming Buddhas. This sutra manuscript was initiated by Unkei, a sculptor belonging to the Kei school of artisans who were active between the late Heian (791–1185) and early Kamakura (1185–1333) periods. The task of transcription was given to monk Chinga. Except for the first fascicle, which is missing, the remaining fascicles are kept in Shinnyodo Temple in Kyoto. It was listed as a National Treasure in 1952.
The characters were written in a slightly tapered manner, in which the lower sections appear broader. The composition is uncluttered and there is a settled order in the layout. Strokes are delicately executed with a majority of them finishing in a rounding-off technique. As the character form relies heavily on the styling of the brushstrokes, the structure of each character appears loose, albeit natural. Overall, there is a sense of calming peace in the consistency and elegance of this calligraphy.